Skrillex, Diplo, Bieber & Live in the New York Times
Diplo, Skrillex and Bieber show the New York Times how they used Ableton Live to produce Where Are Ü Now
Learn about different artists and how they make music
Stavros Gasparatos Takes Us Inside the Piano
Stavros Gasparatos uses Max and Live in a multi-channel prepared piano piece which places the audience ‘inside’ the piano.
Berklee’s Michael Bierylo on Designing a Modern Music Curriculum
Michael Bierylo discusses the challenges and opportunities of designing the curriculum of Berklee College of Music’s Electronic Production and Design course.
Jace Clayton: Global Citizen
Jace Clayton discusses mixing global sounds as DJ /rupture, his work on Sufi Plug-Ins and the ideas behind his upcoming book
Battles: The Art of Repetition
Ableton’s mini-documentary “The Art of Repetition” on Warp trio Battles shows the band rehearsing and recording their new album “La Di Da Di”
Electric Indigo: Sound Beyond Genre
Susanne Kirchmayr aka Electric Indigo discusses moving beyond genre and her evolution from techno DJ to composer of immersive electro-acoustic music.
Holly Herndon: New Ways to Love
Holly Herndon discusses her production techniques, defying genre conventions and the ecstatic potential of electronic music.
Composing for Games: Matt Ridgway and ‘Breath of Light’
Matt Ridgeway explains the ins and outs of using Ableton Live to compose the soundtrack for the mobile game Breath of Light
Decap: Feeling Push
Hip-hop producer Decap premieres a virtuosic video in which he performs his track “Feeling” in one take on Push in 64 pad mode.
James Hoff: The Art of Infection
Interview with artist James Hoff about how he uses computer viruses to infect his music and visual art
Input/Output: Valet
Honey Owens aka Valet used Ableton Live to record all the guitars, drums and vocals on her latest album for Kranky
Watch Lakker Blur the Lines Between Sound and Image
Lakker use Ableton Live and Touch Designer to build a complex audiovisual language for their live sets, creating a continuum between sound and image
Aron Ottignon: A Question of Balance
Watch performance and documentary video of Aron Ottignon, Rodi Kirk and Samuel Dubois bringing together jazz piano, electronics, steel pans and percussion
Anthony Pirog: From Audio to MIDI and Back Again
Guitarist Anthony Pirog plays everything from free jazz to blues and improvised noise. Now he’s using Live’s Audio to MIDI function to reach even further.
Watch DJ Spinn, Kode 9, Ikonika and Kastle discuss Production, Performance and Inspiration at SXSW
Watch video highlights from the SXSW panel discussion with Kode 9, Ikonika, DJ Spinn and Kastle on live production and performance techniques.
Max Cooper: Beautiful Data
Emergence is the concept informing geneticist-turned-producer Max Cooper’s new live show. Using Live and Resolume, Cooper tells a universal narrative.
Peaking Lights: From the Junkyard to Live
Peaking Lights build homemade synths out of junkyard electronics. Now they’re using Live to power their infectious take on dubbed out psych-pop.
James Holden: On Human Timing
James Holdens’ Group Humanizer is a new Max for Live patch that uses the nuance of human timing errors to add an organic, realistic groove to your productions.