Synnack is the artistic moniker of Clint Michael Sand, experimental electronic artist and creator and host of the user community for Max for Live on www.maxforlive.com. Starting in 2007, Sand teamed up with Jennifer McClain aka 0xf8 to create live visuals for Synnack performances, in which custom footage is remixed and manipulated in real time. We recently spoke to Clint and Jennifer about their unique, reactive audio-visual performance setup.
Paul Maurer loves percussion, and goes to great lengths to design just the right sounds. Whether it's an acoustic sample, signal processing in Max, or a toy being struck against a desk, Paul has made a name for himself and his company, Uppercussion, as a purveyor of first-class drum sounds.
Part of a new set of Creative Tools in Live 9 Suite, the MonoSequencer is a versatile Max for Live device for sequencing notes and expressions. In a new two-part tutorial, Max creators Cycling '74 demonstrate some of the features of Mono Sequencer.
Based in Toulouse, France, Les Siestes Électroniques hosts concerts, workshops, and club nights focusing on emerging and established electronic musicians and digital artists. Last Fall, Les Siestes Électroniques sent a delegation to Brazzaville, Republic of Congo, to conduct Ableton Live workshops with local musicians.