A good lead can make a classic track - with just the right cut through a mix and effects movement, you've got a sound for the audience to cling to that's nearly analogous in importance to the lyrics in a rock song. In a new tutorial, Certifed Trainer Ambrus Deak...
There’s nothing like a killer chord progression - but if you don’t have a music theory background, you might feel a bit lost when it comes to making one. In this post, we’ll look at a few ways to make catchy chords and progressions in Live, including some simple theory education, free Racks to help you, and a look at Push’s scale mode.
Before we get going, let’s pause to enjoy the beauty of a relatively simple and repetitive chord progression, in Derrick May’s classic “Strings of Life”:
Major, Minor, and Dominant - 7th Chords
To start with, let’s look at 7th chords, a critical element in many chord progressions. In the videos below, Dubspot instructor Max Wild reviews making these chords and moving between them:
Rack it Up
If you’re looking for another way to play through some chords, there are a few MIDI Effects Racks available to get you on your way. For a series of tweakable chord progressions for each key, try 8bitBandit’s Holy Scale. AudioBombs’ Deep House Chords rack includes a set of switchable chords best suited to Deep House music. Finally, Certified Trainer Yeuda Ben-Atar aka SideBrain has a set of racks for generating minor and major chords, with control for each harmonic added.
Another great technique for getting the most out of chords is to invert them - essentially, take an existing chord that you’ve played, then invert the note order from lowest to highest. For more on the theory behind inverted chords, and to hear some examples, see this article in AskAudio Magazine.
As of Live 9, you can also invert MIDI with the click of a button in a Clip - learn more about MIDI Clip editing tools.
Push the Melody
If you want to get your hands dirty playing chords, try the scale mode on Push. With every key guaranteed to be within your selected scale, you can’t go wrong. But how should you look at the chords you’re making? Here’s a couple of tutorials to answer that: