Audio Effects
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Audio Effect Rack
Combine audio effects into a single device, allowing for the creation of simplified Macro controls for complex effects chains.
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Auto Filter
Classic analog filter emulation with an envelope follower and LFO.
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Auto Pan
LFO-driven panning, tremolo and beat-synchronized chopping effects.
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Auto Shift New in Live 12.1
A real-time pitch tracking and correction device, suitable for vocals and other monophonic signals. Includes a MIDI sidechain feature that allows signals to be played and harmonised polyphonically.
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Beat Repeat
Creative beat mangling with controlled or randomized repetitions of an incoming signal.
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Channel EQ
A flexible and simple EQ with curves and gain ranges suitable for a variety of audio material.
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Chorus-Ensemble
Create thickening, flanging and vibrato effects. Ensemble is a new algorithm inspired by a thick 3-delay line chorus used in the 70s for string machines.
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Compressor
Dynamics processing to add punch and loudness.
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CV Clock In
Control Live’s tempo from your Eurorack system.
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CV Clock Out
Control your Eurorack’s tempo from Live.
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CV Envelope Follower
Use the envelope of any audio material to control device parameters.
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CV In
Use CV signals from your gear to control parameters in Live.
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CV LFO
An LFO with sync to modulate up to eight device parameters with one device.
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CV Shaper
A flexible and envelope modulation device for creating custom modulation shapes.
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CV Utility
Merge multiple modulation signals to generate new shapes.
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Delay
A simple delay with Ping pong behavior, filter modulation and the ability to infinitely repeat the input signal.
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EQ Three
Three-band EQ with kill switches, modeled on classic DJ mixers.
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Erosion
Adds “digital”-sounding artifacts and noise to audio signals.
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Gate
Dynamics processing for noise reduction and decay or reverb shaping.
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Grain Delay
Granular delay with controlled or randomized pitch.
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Limiter
Sets an absolute output limit, suitable for mastering. Now with a smoother release curve to reduce distortion, improved metering, a Mid/Side routing mode, and more.
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Looper
Records, loops and overdubs audio, based on classic hardware looping pedals.
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Phaser-Flanger
Phaser-Flanger has a new, lusher sound with increased frequency and modulation ranges.
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Redux
Redux adds a wider range of sounds from vintage digital gear including harsh distortion, digital and aliasing artifacts, as well as warm and saturated 8-bit textures.
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Reverb
Simulates the acoustics of real or imaginary rooms.
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Saturator
Waveshaping distortion for adding dirt, punch and warmth. 12.1 introduces a new Bass Shaper curve, ideal for low-end processing, and a more focused user interface.
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Tuner
Tuner shows the incoming pitch and its distance from the nearest semitone, helping you quickly get instruments in tune.
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Utility
Multipurpose tool for adjusting gain, phase, stereo width and more.
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Align Delay
A Max for Live utility delay to offset incoming signals by samples/milliseconds/meters or feet. Useful for compensating for lag in sending audio, command messages, or other signals out of the digital realm.
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Drum Buss
A one-stop workstation for drums, capable of adding warmth, distortion, drive, compression, transient shaping, plus a dedicated low end section.
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Dynamic Tube
Tube saturation for added harmonics and warmth.
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EQ Eight
Eight parametric filters with a variety of controls for shaping timbre.
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External Audio Effect
A tool for integrating your external hardware effects into your Live Sets with the ease and flexibility of plug-ins.
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Filter Delay
Three delay lines with independent filtering, feedback, stereo position, and more.
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Glue Compressor
Analog-modeled compressor based on the classic bus compressor from a famous 80s mixing console.
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Multi-band Dynamics
Upward and downward compression and expansion of up to three frequency bands.
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Overdrive
Distortion effect based on classic guitar pedals.
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Resonators
Five parallel, tunable resonators that apply a tonal character to incoming audio.
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Shifter
Classic frequency shifting, ring modulation and real-time monophonic pitch shifting, for effects ranging from subtle phasing and radically pitched to dissonant, metallic sounds.
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Spectrum
Realtime analysis and visualization of incoming audio.
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Vinyl Distortion
Emulates the noise and distortion of vinyl records.
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Vocoder
Classic “talking synthesizer” and robotic voice effects.
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Corpus Now In Live 12 Standard
Simulates the acoustic characteristics of seven types of resonant objects.
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Amp
Emulates the sound and character of seven classic guitar amplifiers.
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Cabinet
Emulates the sound and character of five classic guitar cabinets.
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Color Limiter
Another flavor of limiting inspired by the gritty sounds achievable with hardware limiters. The Saturation and Color parameters are the key to its characterful sound.
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Convolution Reverb
Capture the characteristic reverb of real physical spaces with advanced sound shaping.
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Echo
The sound of classic analog and digital hardware delays in a single device.
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Gated Delay
A delay with a gate sequencer that sends the incoming signal to a delay line on activated steps. Much like a send effect that is turned on and off in a defined rhythm.
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Hybrid Reverb
Combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality.
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Pedal
Brings the analog character of overdrive, distortion and fuzz stompbox effects.
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Pitch Hack
A single delay line with transposition control, as well as the ability to reverse audio, randomize the transposition interval and fold the delayed signal back into itself.
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PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke.
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Re-Enveloper
A multiband envelope processor that divides the signal into three adjustable frequency bands. Attack and Release knobs control the responsiveness of the effect.
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Spectral Blur
Creates sounds and textures best described as reverb-like. A user-defined frequency range of a signal is blurred to create a dense, cloud of sound.
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Spectral Resonator
A sound mangling device that can make anything passing through it sound completely unlike the source material. Use the MIDI sidechain input to process material in key with its surrounding musical elements – like playing an effect as if it were an instrument.
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Spectral Time
Re-synthesize your sounds and feed them into a network of filters, dynamics, reverb and delay, to add metallic echoes, pitch shifting and space to any sound source. Freeze the sound to capture and hold a slice of the audio and alter its characteristics in real time.
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Surround Panner
Multichannel Panning device for surround mixing with multi-channel speaker setups.
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Roar New in Live 12
A coloring and saturation device with a variety of non-linear saturation curves. The flexible routing options allow you to work with precision, while the extensive modulation matrix lets you add dynamic motion to static sounds.
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