Finally complaining about LIVE - took me some years
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Finally complaining about LIVE - took me some years
a. it sounds like crap on a big system. I'm talking warped 320 mp3's. In the mix they sound all muddled. Sounds good on my rokit 5's at the house. punchy and tight but sounds like crap on anything bigger
AND!!!
what the hey with the audio drop outs. I had to ditch Ableton and use Torq which was the original idea but I was like, 'hey, I warped some hip hop. might as well play it.' - doh
2 gigs this week playing Abletons LIVE and it sounds horrible
I love the community and the actual program but it's not really blowing up as far as djing goes
just thought I'd rant - the party last night still blew up super hard
Sony Vaio 1.83 1 gig of ram
Conectiv sounds card @ 128
Live 5.2.2
warping 75 to 90 bpm hip hop on beats mode
curious
AND!!!
what the hey with the audio drop outs. I had to ditch Ableton and use Torq which was the original idea but I was like, 'hey, I warped some hip hop. might as well play it.' - doh
2 gigs this week playing Abletons LIVE and it sounds horrible
I love the community and the actual program but it's not really blowing up as far as djing goes
just thought I'd rant - the party last night still blew up super hard
Sony Vaio 1.83 1 gig of ram
Conectiv sounds card @ 128
Live 5.2.2
warping 75 to 90 bpm hip hop on beats mode
curious
Last edited by djadonis206 on Sat Mar 22, 2008 10:16 pm, edited 1 time in total.
I think you're right.smutek wrote:Probably be better off running .aiff's or .wav's -- if I remember correctly Ableton doesn't have true mp3 support, it actually turns them them to aiff's and stores them somewhere?
Adonis - it's quite possible that you're mixing to make them sound good on KRKs which sound different than a club system. it's not only about having good monitors, it's understanding how your monitors will color the sound. that's why NS10s are/were so popular, they weren't perfect but people understood how they colored the sound and mixed around that.
In my life
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At people who I'd much rather kick in the eye?
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-Moz
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If you're not throwing live instruments into the mix, 512 samples is safe enough to use. 25 ms latency or thereabouts is still next to nothing for playback and mixing.
Club systems often hype the 100-200 Hz range, so if you are playing live, try dipping out that range a bit with EQ on your master bus.
yes, the mp3 are reconverted back to .wav or .aiff, so artifacts can be reintroduced, this is partially because playback of compressed audio takes a lot more system resources/CPU.
Better to use samples ripped from .wavs or .aiffs wherever possible.
Live is trying to tell you something about your musical taste very drole !
Club systems often hype the 100-200 Hz range, so if you are playing live, try dipping out that range a bit with EQ on your master bus.
yes, the mp3 are reconverted back to .wav or .aiff, so artifacts can be reintroduced, this is partially because playback of compressed audio takes a lot more system resources/CPU.
Better to use samples ripped from .wavs or .aiffs wherever possible.
Live is trying to tell you something about your musical taste very drole !
http://soundcloud.com/umbriel-rising http://www.myspace.com/leedsquietmandemos Live 7.0.18 SUITE, Cubase 5.5.2], Soundforge 9, Dell XPS M1530, 2.2 Ghz C2D, 4GB, Vista Ult SP2, legit plugins a plenty, Alesis IO14.
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Thanks for the tips
I think I need to figure out a way to mix around the small speakers for the big big speakers
for dance music 120 - 140 I use repitch
for hip hop 70 - 90 bpm's I use beats mode
and like I said, I put the set together at the house and it sounds pumping but at the club it sounds muddy
I'm also thinking it may be where I'm setting my beat markers. typically on the flattest part of the down beats - curious
I think I need to figure out a way to mix around the small speakers for the big big speakers
for dance music 120 - 140 I use repitch
for hip hop 70 - 90 bpm's I use beats mode
and like I said, I put the set together at the house and it sounds pumping but at the club it sounds muddy
I'm also thinking it may be where I'm setting my beat markers. typically on the flattest part of the down beats - curious
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How does it sound when you play the unwarped files? sounds weird yeah..djadonis206 wrote:just think about a wash of bass and no kickthefool wrote:Hm don't you just need a subwoofer to be able to fetch the lowest parts? Could you upload a sample of what sounds muddy so i can try it at one of the in house systems here?
and of course you don't have any eq'ing or compressing going on (dunno, you could be setting some general things on to get a pumpin' at home.)
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- Posts: 6490
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Just brainstorming ideas here but setting up a dj style eq would probably help - inside LIVE. I'm ordering 7 when I get a new card (I've lost like 3 this year)
anywayz - I'm interested in creating a dj style eq in LIVE - that might help
even though I use the external dj mixer
but to answer your question thefool - no eq or compression
anywayz - I'm interested in creating a dj style eq in LIVE - that might help
even though I use the external dj mixer
but to answer your question thefool - no eq or compression