Elastique 2.0 released.. better timestretch??
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Elastique 2.0 released.. better timestretch??
March 10, 2008
zplane unveils version 2 of the time stretching and pitch shifting engines Elastique Pro and Elastique efficient. Elastique stretching can be found as an integral part of numerous digital audio workstations and DJ applications.
The new version offers many audio quality enhancements, including better transient preservation, increased bass resolution and improved high tonal frequency processing. Many optimizations and new interface functionality improve the performance, integration and handling of Elastique significantly.
The Elastique time stretching engines are used in many applications of the music, film, broadcast, and entertainment industry. Transparent audio quality combined with real-time processing capabilities have made Elastique the de facto standard for time scaling in real-time audio applications.
zplane unveils version 2 of the time stretching and pitch shifting engines Elastique Pro and Elastique efficient. Elastique stretching can be found as an integral part of numerous digital audio workstations and DJ applications.
The new version offers many audio quality enhancements, including better transient preservation, increased bass resolution and improved high tonal frequency processing. Many optimizations and new interface functionality improve the performance, integration and handling of Elastique significantly.
The Elastique time stretching engines are used in many applications of the music, film, broadcast, and entertainment industry. Transparent audio quality combined with real-time processing capabilities have made Elastique the de facto standard for time scaling in real-time audio applications.
Re: Elastique 2.0 released.. better timestretch??
what applications currently use elastique?timothyallan wrote:March 10, 2008
Elastique stretching can be found as an integral part of numerous digital audio workstations and DJ applications.
so flstudio actually started using PRO since 7.Experience the amazing quality of our élastique time stretching and pitch shifting engines in (listed alphabetically):
ableton Live 5, 6, 7 (élastique efficient)
acoustica MixCraft 2.5, 3 (élastique efficient)
ALCATech BPMStudio 5 (élastique efficient)
ALCATech DigiScratch 2 (élastique efficient)
Bias Inc. Peak 5.x (élastique efficient)
Cockos Reaper 2.x (élastique Pro)
HighAndes Trakax 1 and higher (élastique SOLOIST & efficient)
Image-Line FLStudio 5, 6 (élastique efficient)
Image-Line FLStudio 7 (élastique Pro)
Mackie Tracktion 3 (élastique efficient)
M-Audio Torq 1.5 (élastique efficient)
Native Instruments Kontakt 1.5, 2 (élastique SOLOIST V1)
Native Instruments Intakt (élastique SOLOIST V1)
Native Instruments Traktor 2, 3 (élastique efficient V1)
SampleBase.com Satellite (élastique SOLOIST)
Steinberg Cubase 4 (élastique SOLOIST)
überschall Elastik loop player (élastique Pro)
xtsoftware energyXT 2 (élastique efficient)
zero-x BeatQuantizer (PolyStretcher) 1 (élastique efficient)
I have allways though that too, artifacts in live seem way way more obvious, though it could simply be that with tractor Im focussed way more on the prgression of the music in a set rather than the sonic details of producing a good mix of a track.Coupe70 wrote:hm, strange. for me timestretching in traktor feels much better
than in live.
I dont know if elastique has anything to do with beat/tempo analysis, but Live certain seems beter at it than tractor.
Nothing to see here - move along!