ambient music
ambient music
I was wondering if any you guys do ambient music - like no beats what so ever, ive been trying latley and finding it really hard as percussion usually drives my tunes - any tips on this? i mean is it anymore thatn layers of evolving pads?
I think ambient is a bit of a broad genre, try some field recording and combine that with your own composition, thats usually very interesting, like a soundtrack to life.
I've done similar stuff for my foundation films.
I've done similar stuff for my foundation films.
Sound Recordist & Designer
http://www.postboxaudio.com
http://www.postboxaudio.com
i guess it is quite broad!fsk wrote:I think ambient is a bit of a broad genre, try some field recording and combine that with your own composition, thats usually very interesting, like a soundtrack to life.
I've done similar stuff for my foundation films.
couldnt see any tunes on your site juts a mix...
erm i guess stuff like some of brian eno & van gelis
seems very complex in its subtltly
i made a few ambient pieces. They were both made from long loops with off beat timings so as the pieces progressed they created different textures and sounds from the different juxtapostions they made along they way. One was a fairly organic feral thing made of fucked up vocal samples with a skeleton of vibraphone sample through a resonator & filter delay holding it together. THe other was supposed to be a recreation of that happy/tired/fucked up feeling you get after spending a night raving, when you still have some beats floating around in your head.
I guess the main thing I think is to use a nice pre-natal bpm (mmm, womb), and to set things up to loop at odd times and to use random follow actions so everything kind of evolves on it's own accord.
I guess the main thing I think is to use a nice pre-natal bpm (mmm, womb), and to set things up to loop at odd times and to use random follow actions so everything kind of evolves on it's own accord.
Check these out:
http://www.archive.org/download/trip_in ... t_bulb.mp3
http://www.archive.org/download/sleepin ... ng_aid.mp3
http://www.archive.org/download/mi062_k ... to_ocp.mp3
They were all composed taking different approaches.
In the end, it is all up to you.
Get busy, experiment, and if you like it, then it's good!
http://www.archive.org/download/trip_in ... t_bulb.mp3
http://www.archive.org/download/sleepin ... ng_aid.mp3
http://www.archive.org/download/mi062_k ... to_ocp.mp3
They were all composed taking different approaches.
In the end, it is all up to you.
Get busy, experiment, and if you like it, then it's good!
you could bongos and stuff in there that would give it a bit of a backbone
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Macbook 2.4 4GB/Live 7.15/massive/Absynth 4
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I find myself in a similar position to jeskola - the rythm part almost inexorably comes in. A possible approach is to avoid a "beat" (i.e. drum part) and to try to replace it with "pulse" (the way the music goes back and forth, giving a sense of rythm, but without resorting to percussion parts). You could add pulse to your music by having a pad sample looping in the background, using compressors to pump with it, etc - I guess you get the idea.
I'm with fsk, adding field recording to your music is a really interesting technique, adding depth and telling parallel stories. The concept of layers, it really appeals to me.
Nice topic, btw.
I'm with fsk, adding field recording to your music is a really interesting technique, adding depth and telling parallel stories. The concept of layers, it really appeals to me.
Nice topic, btw.
Turn up the radio. Turn up the tape machine. Look into the sunset up ahead. Roll the windows down for a better taste of the cool desert wind. Ah yes. This is what it's all about. Total control now.
here's an ambient track improvised with live 4, 2 years ago.
http://ruccas.org/pub/Anthony%20Saunder ... 4remix.mp3
it's basic construction involved assembling a wide variety of loops that are all tightly related, but vary in texture and pitch, in ways that layer well, then while playing adding them together cautiously and slowly, allowing the track to evolve, build and subside gracefully.
there's a little bit of resonator in there too.
http://ruccas.org/pub/Anthony%20Saunder ... 4remix.mp3
it's basic construction involved assembling a wide variety of loops that are all tightly related, but vary in texture and pitch, in ways that layer well, then while playing adding them together cautiously and slowly, allowing the track to evolve, build and subside gracefully.
there's a little bit of resonator in there too.
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Thee label for this is http://www.hypnos.com/
patrick o'hearn is also one of the true masters of this
patrick o'hearn is also one of the true masters of this
I've found that operator's envelope looping can be really nice for creating rhythmic pulses. Here's a short ambient track I made (in the live 6 beta) that uses this kind of sound (esp. the last 20 seconds or so -- it is much more subtle the rest of the song). Actually this track was really just me playing around with the new waveshaper a bit, but grew from theretomperson wrote:A possible approach is to avoid a "beat" (i.e. drum part) and to try to replace it with "pulse" (the way the music goes back and forth, giving a sense of rythm, but without resorting to percussion parts). You could add pulse to your music by having a pad sample looping in the background, using compressors to pump with it, etc - I guess you get the idea.
Don't really know a great deal about genres as they exist these days, but I've got a few tracks I would consider ambient or borderline ambient:
Distances
Kick The Gong Around
Essence Of
Letting Go
Distances
Kick The Gong Around
Essence Of
Letting Go
im working on an track with an ambient feel. im using some percussion,not for rythm, just for sounds. and they are really heavy with effects. almost so they dont sound like percussion at all. ie, ive got a few bongo hits, with some heavy compression, filter and eq. sounds more like a heavy whoosh of air than anything. as far as a pulse or rythm, im using different envelopes to give it that. volume , panning, etc. but not changing on any particular beats, just the way im phrasing it.
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Re: ambient music
I find that there is a beat, but it doesn't even have to be audible. I'm originally a drummer, I'm driven by beat as much as anyone, but a subliminal beat is often better than flat-out banging.jeskola wrote:I was wondering if any you guys do ambient music - like no beats what so ever, ive been trying latley and finding it really hard as percussion usually drives my tunes - any tips on this? i mean is it anymore thatn layers of evolving pads?