Post
by Schizophonix » Wed Apr 19, 2006 7:55 am
Hello, this is another Firewire Audiophile user...
Never had any problems with it, it is great for monitoring with the second stereo output, latency is minimal and it sounds professional. Also it is small and portable. It does a great job for what it costs.
We also have a MOTU Traveler in our little home studio, its is my housemate's, who will take a couple of years more before he can take advantage of all the possibilities of the soundcard. It is a very professional piece of gear, so using it in a modest home studio is like having a Porsche in a mountainous dirt road -you will never have the chance to drive it to the max. The Audiophile is more like a cheap 4x4, simple but robust.
I have been using the Traveler a lot, while my housemate was using my Audiophile for working with Pro-Tools M-Powered. The amusing thing about it is the ability to assign each of Live's tracks to one stereo output, and connect them all to our Yamaha mixing desk... Forget about Live's mixer! Doing the mix in an external mixer sounds better (more analogue) and it is more convenient for playing live, although I have never tried it on stage...
The funny thing about the MOTU is we are having a nightmare trying to synchronise its MIDI clock with the Audiophile... It has all kinds of fancy digital and analog connections, but NO OPTION for synchronising through a good old 5-pin MIDI cable!! Sure, you get AES/EBU, S/PDIF, Word Clock, SMPTE and ADAT syncing, but no simple analog MIDI!!!
You see my point about driving a Porsche in the mountain?
Anyway, my housemate sees it as an investment towards the future, since he will soon be a qualified sound engineer... Hope the soundcard is not outdated by the time he gets to use it seriously... We are talking about a €900 (roughly $900 or 600 pounds) investment!...
Take care
Schizophonix